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From the Article: “Something New Handel wrote Messiah for a traditional ensemble of orchestra and chorus, but not everyone wants to hear that style of classically-performed classical music. For those… Read More

From the article: “Returning for the third year, Ashelie Corcoran (Stage Direction) and Adam Scime (Music Director) will lead Soundstream’s immensely popular Electric Messiah with Adanya Dunn, Elizabeth Shepard, Jonathan… Read More

“Soundstreams is presenting the first-ever staged performance of Musik für das Ende by Claude Vivier (1948-83).  Written in 1971 as a ceremony to be staged, the work did not have… Read More

“TORONTO — Death-haunted, drawn to danger and desperate for connection, with his ceremonies in sound charting transitions from life to something beyond it, the Canadian composer Claude Vivier should be… Read More

“La première mondiale de Musik für das Ende de la compagnie de théâtre Crow’s Nest a eu lieu à Toronto le 26 octobre. La musique de Claude Vivier, un compositeur… Read More

L’univers du compositeur québécois Claude Vivier au @crowstheatre de TTO. On en parle avec Alex Ivanovici. #icito #rc_arts pic.twitter.com/Agkk8IcvVG — Kevin Sweet (@sweetonarts) November 1, 2017

“The Canadian contemporary music company Soundstreams, known for difficult and cerebral works, has mounted a music and theatre production about the life and ideas of admired Quebecois composer Claude Vivier… Read More

“Claude Vivier’s Musik für das Ende had to wait until 35 years after the composer’s death for its first fully staged performance.  That happened last night at Crow’s Theatre under… Read More

In 1983, at the age of 34, French–Canadian composer Claude Vivier was stabbed to death in his Paris apartment by a man he had picked up. When Vivier’s body was… Read More

10 singers are currently deep into rehearsals with stage director Chris Abraham and music director John Hess for what will be the premiere staged performance of Claude Vivier’s 1971 work,… Read More

From the Article “On the next day, Soundstreams’ Northern Encounter will draw our ears to a different segment of spirituality: a collaboration of identities. Soundstreams’ long history of cultural exchange, especially… Read More

From the Article: “The other major work of music theatre this month in no way fits the traditional operatic mould. It is Musik für das Ende written in 1971 by… Read More

From the Article: “Lawrence Cherney, artistic director of Soundstreams, never knew Vivier personally – but from the moment he first saw his music years ago, he knew that it was… Read More

From the article: “In May, Adanya Dunn was “a properly flirty Musetta, looking fabulous and acting up a storm” in Against the Grain Theatre’s revival of its English-language adaptation of… Read More