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Soundstreams showcases the work of Canadian and international composers through innovative musical experiences.

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THE WHOLE NOTE: Your 2017/18 Guide to Handel’s Messiah

From the Article: “Something New Handel wrote Messiah for a traditional ensemble of orchestra and chorus, but not everyone wants to hear that style of classically-performed classical music. For those who like their mulled wine old and their bottles new, here’s the Messiah for you. Who: Soundstreams When: December 4 to 6, 8pm” Read the…  Read More

Ludwig Van Toronto: ON THE RADAR | The Great Big Messiah List: A Guide For Holidays

From the article: “Returning for the third year, Ashelie Corcoran (Stage Direction) and Adam Scime (Music Director) will lead Soundstream’s immensely popular Electric Messiah with Adanya Dunn, Elizabeth Shepard, Jonathan MacArthur and Justin Welsh.  The accompanying ensemble of guitar, electronics, electric harpsichord+organ and turntables, will explore selected popular Messiah tunes with fresh sound and context,…  Read More

Stage Door: Review, Musik für das Ende

“Soundstreams is presenting the first-ever staged performance of Musik für das Ende by Claude Vivier (1948-83).  Written in 1971 as a ceremony to be staged, the work did not have its first concert performance until 2012.  After seeing director Chris Abraham’s beautiful, extraordinarily moving production of the the piece for Soundstreams, it is impossible to…  Read More

The New York Times: A Canadian Composer’s Death-Obsessed Search for Connection

“TORONTO — Death-haunted, drawn to danger and desperate for connection, with his ceremonies in sound charting transitions from life to something beyond it, the Canadian composer Claude Vivier should be the great downer of modern music. But so shimmering are Vivier’s drones, so sweetly childlike his invented languages and mystical geographies, so energetic his need…  Read More