Soundstreams began as the answer to a challenge. Igor Stravinsky’s 100th birth anniversary was in 1982, but despite his strong connection to the CBC Symphony during his lifetime, no celebration was planned in Canada. We seized that opportunity and hosted a Stravinsky Festival, dedicating ourselves to creating a legacy for Canadian and international new music.
This answer to a challenge has driven us since that moment, as we continue to inspire, foster, and enable excellence in Canadian music.
In our first decade, we created a substantial body of Canadian theatre/opera repertoire with high levels of engagement for young audiences. We returned to music theatre – R. Murray Schafer’s The Children’s Crusade (2009), Brian Current’s Airline Icarus (2014) – and by 2016 we were producing it annually, opening up opportunities for national and international exposure.
In 1993 we initiated a series in co-production with CBC Radio 2 designed to elevate the global profile of Canadian new music by presenting Canadian composers alongside their international counterparts. We have since built strong relationships with artists and organizations around the world, due to Artistic Director Lawrence Cherney’s extensive travel and research into Latin American, Asian, Australasian, African, European, and especially the Nordic countries. In parallel, we forged a 25-year long association with Indigenous artists and organizations.
Years of collaboration with artists from diverse cultures have laid the groundwork for our emergence on the world stage. Productions like Vivier’s Musik für das Ende, the Cree- and Sámi-language Two Odysseys, and Hell’s Fury, The Hollywood Songbook are enjoying measurable international success because of the vast web of cultural conversations we initiated years ago. These productions have received critical acclaim from the likes of the New York Times and the Los Angeles Times.
Exploring the foundations of our history have enabled us to explore new vistas and share the themes of our programming with audiences both old and new.
Two Odysseys: Pimooteewin/Gállábártnit wins a Dora Mavor Moore Award for Best Ensemble.
COVID-19 hits the world. In response, Soundstreams launches the Insider program, a broad coalition of voices with seats at the table to help build Soundstreams into one of the most important cultural institutions in a changing world.
Different Trains, Steve Reich’s “Different Trains” for string quartet and tape is the composer’s reflection of the commuter trains in 1940’s USA that he took as a child, and the more sinister transport trains travelling to Nazi death camps in Europe at that same time. The piece was performed live by the Rolston String Quartet, together with a film created by Spanish filmmaker Beatriz Caravaggio.
Launch of Guest Curator program, New Voices.
Menon Dwarka appointed Executive Director of Soundstreams.
Hell’s Fury: The Hollywood Songbook travels to Stanford Live and receives rave reviews from LA Times.
Premiere of Two Odysseys: Pimooteewin/Gállábártnit, the world’s first double bill opera in the Indigenous languages of Cree and Sámi, and an official event as part of the United Nations Year of Indigenous Languages.
André Ristic premiered a new work for six pianos titled “Variations on a Theme by A. Vivaldi”, contextualized alongside Steve Reich’s seminal “Six Pianos” at Six Pianos show at Koerner Hall
World premiere staging of Claude Vivier’s Music für das Ende, attracts attention of international presenters and press, including a rave review from the New York Times.
Ben Dietschi appointed Executive Director of Soundstreams.
Steve Reich 80th birthday residency, including guest composer at Emerging Composer Workshop, concert at Massey Hall, and Bluma Appel talk with Michael Snow hosted by Sook Yin Lee.
Soundstreams announces major partnerships with Canadian Stage (Julie) and Massey Hall (Steve Reich at 80) as part of its 2015/16 season.
The third Emerging Composer Workshop is held under the mentorship of visiting composers Kaija Saariaho and Jean-Baptiste Barrière.
A workshop is held for Gállábártnit, the companion piece to Pimooteewin, in collaboration with Signal Theatre and director Michael Greyeyes.
Airline Icarus is nominated for a total of five Dora Mavor Moore Awards: Outstanding New Opera, Outstanding Scenic Design, Outstanding Musical Direction, Outstanding Production, and Outstanding Performance – Ensemble.
The launch of Ear Candy series and Regional Touring Network. Salon 21 expands outside of the downtown core in partnership with Toronto Public Library.
The world premiere of Maniac Star’s opera Airline Icarus, by Brian Current and Anton Piatigorsky.
Artistic Director Lawrence Cherney is named one of University College’s Alumni of Influence of 2014.
Soundstreams launches innovative website and iPad app SoundMakers.
The first Emerging Composer Workshop is held under the mentorship of R. Murray Schafer.
First Soundstreams tour to Taiwan and China, to perform at the prestigious Beijing Modern Music Festival.
Nicole Lizée wins the Canada Council’s 2013 Jules Leger Prize for New Chamber Music for her White Label Experiment, commissioned by Soundstreams.
Soundstreams’ production of Rodion Shchedrin’s music drama The Sealed Angel is named Best Choral Production In Canada by the Association of Canadian Choral Communities.
Lawrence Cherney is awarded the 2012 Friends of Canadian Music Award by the Canadian League of Composers and Canadian Music Centre.
Pimooteewin: The Journey undertakes its second tour of Northern Ontario, including stops in Red Lake, Sioux Lookout, Thunder Bay, Wawa, and Red Rock.
Pulitzer Prize-winning composer Steve Reich performs the world premiere of his Mallet Quartet at the third Cool Drummings Festival.
First Soundstreams concert at Koerner Hall.
The Children’s Crusade wins the Dora Mavor Moore Award for Outstanding New Opera.
The world premiere of R. Murray Schafer’s site-specific medieval opera The Children’s Crusade, co-commissioned by Soundstreams and Luminato, is the centrepiece of the 2009 Luminato Festival.
Premiere of Pimooteewin: The Journey, based on a Cree myth. Written by Thomson Highway with an original score by composer Melissa Hui, it is the first opera ever created in Cree.
First Salon 21 event at the Gardiner Museum.
Pimooteewin: The Journey tours Northern Ontario, including stops in Timmins, Moosonee, Moose Factory, Cochrane, Iroquois Falls, and Kapuskasing.
The last Encounters series concert is held at Glenn Gould Studio.
First Cool Drummings International Percussion Festival and Conference, featuring over 100 artists from seven provinces and seven countries.
Lawrence Cherney is awarded the 2007 Toronto Arts Foundation’s Muriel Sherrin Award for International Achievement.
Soundstreams receives a Juno nomination for Harry Somers’s A Midwinter Night’s Dream, the first Canadian children’s opera recorded for CD, a co-production with Centrediscs and Window on Somers.
Toronto Fanfare Project, part of the architectural soundaXis festival, celebrates brass music old and new. It features composers from Canada, Iceland, Sweden, Denmark, Norway and Finland.
Northern Voices Choral Festival, Soundstreams’ third circumpolar festival, featuring artists and musicians from the Nordic and Baltic countries.
Soundstreams receives a Juno nomination for R. Murray Schafer’s Credo, a co-production with Opening Day Records.
Musicools, Soundstreams’ second circumpolar festival, features music theatre and opera for young audiences. It includes works from Canada, Iceland, Finland, Norway, Sweden, and Denmark.
Lawrence Cherney is named to the Order of Canada.
Soundstreams receives a Juno nomination for the CD of Harry Somers’s opera Serinette, a co-production with Centrediscs and Window on Somers, and the first full-length Canadian opera ever released on CD.
2000 & 2001
Soundstreams receives two consecutive Lieutenant Governor’s Awards for the Arts.
First University Voices concert, one of the largest gatherings of university choirs ever held, featuring 9 Canadian university choirs.
Soundstreams’ production of How a Promise Made the Buffalo Jump, a music theatre piece for young audiences created by Michael Greyeyes, is invited to perform at the International Association of Theatre for Children & Young People World Conference in Tromso, Norway.
First Northern Encounters Festival, a month-long festival that brought together 2000 artists from circumpolar nations Denmark, Greenland, Finland, Iceland, Norway, Sweden, Canada, Russia, and the U.S. (Alaska).
Soundstreams begins the annual Encounters series at CBC’s new Glenn Gould Studio, focusing on pairing Canadian and international artists. Canadian composers included R. Murray Schafer, James Rolfe, José Evangelista, Harry Somers, Alexina Louie, and Christos Hatzis; international composers included James MacMillan, John Tavener, Joan Tower, H.K. Gruber, Anders Hillborg, and Rolf Wallin.
In its final year, the Musical Mondays series is renamed Musical Magic Performances and moves to the St. Lawrence Centre.
Premiere of the Musical Mondays theatre piece So You Think You’re Mozart, composed by Paul Quarrington, written by Louis Applebaum, and starring Richard Greenblatt and Ted Dykstra. This piece would go on to become the theatrical sensation Two Pianos, Four Hands.
Chamber Concerts Canada and the Lorraine Kimsa Theatre for Young People join forces to create Musical Mondays, a series that paired Canada’s finest composers (Harry Somers, Harry Freedman, Glenn Buhr) and authors (Robertson Davies, Timothy Findlay, W.O. Mitchell) to create works for young audiences.
Oboist Lawrence Cherney launches Chamber Concerts Canada (later to become Soundstreams) with a performance of Stravinsky: A 100th Year Celebration.